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I'm trying to figure out what my overall style is--if I have one. I've been learning a lot about the illustration business, and having a distinctive style to one's body of work is of much import.
I've also been looking at a lot of different artists. My current instructor (www.caitlinkuhwald.com) tells us to find illustrators that we can imagine working/looking like. Not directly copying--but you know, finding someone who's style you can aspire to and learn from.
I've thought and thought about this... Probably my favorite illustrators are Leo and Diane Dillon (who doesn't like them?). My composition teacher told us that the artists you like say something about how you work. I think this is true--I have a tendency towards similar compositions as the Dillons--very straight, frontal, with some divisions of the space, particularly in foreground/background.
But our compositions are not necessarily where the magic happens. The Dillons and I love faces. Our faces are almost always the focus of the piece. One thing, though--I don't tend to idealize my faces as much. Depending if I have reference or not, I tend to veer more towards establishing a likeness and individuality than having a generalized face. I love portraiture...
We also love objects. While I can't flatter myself that I'm as whimsical with my objects as my idols, I still like to include objects, and spend some time rendering them. Drapery/Clothing, I can render as well, but like the Dillons, I will sometimes block it out as either shaded color or pattern.
I don't have the same skill set as the Dillons, I know. I need to practice and practice. Still, it is freeing to have them to look up to, since I can see that it is possible to combine highly-rendered portions with flatness. And it's okay to be 'tableaux', as I have been called by my first illustration teacher, Barron Storey. And it's okay to have an earthy pallete... And I can most definitely learn from the Dillon's whimsy and put in some more liberated graphic motifs.
So, if anyone who has looked at my gallery has any suggestions--as to who else I might look like, or what common aesthetics can be found in my work, I'd love to hear it. Sometimes the artist herself is too intertwined to see what is happening on a larger scale.
I've also been looking at a lot of different artists. My current instructor (www.caitlinkuhwald.com) tells us to find illustrators that we can imagine working/looking like. Not directly copying--but you know, finding someone who's style you can aspire to and learn from.
I've thought and thought about this... Probably my favorite illustrators are Leo and Diane Dillon (who doesn't like them?). My composition teacher told us that the artists you like say something about how you work. I think this is true--I have a tendency towards similar compositions as the Dillons--very straight, frontal, with some divisions of the space, particularly in foreground/background.
But our compositions are not necessarily where the magic happens. The Dillons and I love faces. Our faces are almost always the focus of the piece. One thing, though--I don't tend to idealize my faces as much. Depending if I have reference or not, I tend to veer more towards establishing a likeness and individuality than having a generalized face. I love portraiture...
We also love objects. While I can't flatter myself that I'm as whimsical with my objects as my idols, I still like to include objects, and spend some time rendering them. Drapery/Clothing, I can render as well, but like the Dillons, I will sometimes block it out as either shaded color or pattern.
I don't have the same skill set as the Dillons, I know. I need to practice and practice. Still, it is freeing to have them to look up to, since I can see that it is possible to combine highly-rendered portions with flatness. And it's okay to be 'tableaux', as I have been called by my first illustration teacher, Barron Storey. And it's okay to have an earthy pallete... And I can most definitely learn from the Dillon's whimsy and put in some more liberated graphic motifs.
So, if anyone who has looked at my gallery has any suggestions--as to who else I might look like, or what common aesthetics can be found in my work, I'd love to hear it. Sometimes the artist herself is too intertwined to see what is happening on a larger scale.
APE
I recently received my second DD for "Zel"... thanks so much, all the comments and views are greatly appreciated!
If you want to see me, I am exhibiting at my first convention... the Alternative Press Expo in San Francisco, this weekend Oct. 13-14. I'll have some originals with me and I'll be selling prints and even some temporary tattoos. I'm sharing table #924 with fellow illustrator, Colin Nitta. Our work goes nicely together, as we both veer towards sci-fi/fantasy. Visit his website: http://www.colinnitta.com
For information about APE: http://www.comic-con.org/ape/index.php
Sister Site
I've been into doing a little web design lately, and I made a website for my sister, who is also an artist. Take a look:
http://www.sheilaramie.com
I'm going to give my own site a different look sometime, so stay tuned for updates.
Fun With Urban Dictionary
Got this idea from IntoTheFrisson (https://www.deviantart.com/intothefrisson) and pennydox (https://www.deviantart.com/pennydox)
rules
1. Go to Urbandictionary.com and type in your name.
2. Post the definition (NO MATTER WHAT IT SAYS) in your journal
There are 32 entires for "Laura" and so I'll only put the first and last and a few inbetween. Didn't know my name was associated with all this goodness.
1.
meaning 'from the laurel flower'
a beautiful name, in fact one of the best names ever.
hey laura, you're soo fly
4.
The person with this name is the most amazing person you will ever meet. After you say hi to her, magic fairy dust will sprinkle on your head and then you'll be able to FLY! OMG! Who WOULDN
Expanding my web presence
Hey guys, I now have an official portfolio website... http://www.lauraramie.com
Like my artist's page on Facebook: http://www.facebook.com/lauraramieart
You can also follow me on Twitter: http://www.twitter.com/@LauraRamie
Thanks to everyone who took notice of my Robo Robin painting! I've gotten a ton of good feedback. I see that it's been featured on a lot of blogs. Also, what's especially excited, it's going to be published as an album cover for a German band called Orange: http://www.orangevibes.de
Exciting things are afoot!
© 2009 - 2024 LaurasMuse
Comments3
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Well... I kind of noticed a lot of your faces tend to have slanted smiles. It makes me think of photos... like you're a photographer who has set up a picture shoot. It's the tiny cliffs on the sides of the mouths that I'd say were similar no matter what character. If that doesn't make sense, ignore me.